|
Fine Art Sales Online at
Northwest
Louisiana Art
Gallery,
featuring Contemporary Art by Robert
Trudeau.
All images of
the artists work found on this site are Copyright (c) Protected. For
information on how to purchase a work of art, please contact the
artist through the "e-mail" link, or contact the gallery
at info@nwlaartgallery.com.
|
|
|

Photograph by Talbot Hopkins
Robert maintains an art blog
where he writes about the art happenings in this area and nation
wide arts news: http://shreveport.blogspot.com &
http://shreveport2.blogspot.com
Click
on the Image to View Larger
For information
on how to purchase a work of art, please contact the artist through
the "e-mail" link, or contact the gallery at info@nwlaartgallery.com.
|
"Duchess of Petrolia" Pen
and Ink on Paper

"Duke of DuBonnet" Pen
and Ink on Paper
|
"Newcastle"
1:39 1.51MB
mp3
"Newcastle," was recorded at dawn in the South Virginia woods near Craig Creek.
In Louisiana I added a melody via Boss DR-5 synthesizer.
|

"Duke of Delphinium"
Pen and Ink on Paper

"Duke of Ducatoon"
Pan and Ink on Paper
|
|

"Midnight"
3:16 4.50MB
mp3
"Midnight" was tracked with a sunburst Gibson B-25 made in the 1960's and a
new Fender P-bass Special. You can find pictures of the guitars on the BR-8
Page (http://br8page.editthispage.com/)
Recorded
on a small Boss BR-8 digital unit, the guitar - via a Lawrence humbucker in
the soundhole - was routed through a Behringer MDX 2200 compressor.
What
does the term midnight imply to you? I've been fortunate enough to remember
the flowing, creative midnights and have dropped, somehow, consciousness of
my teeth-grinding, anarchic & anxious midnights.
|

"Chinese
Street Jazz"
3:39 3.43MB
mp3
"Chinese Street Jazz" was built around a drum track recorded for me by former
Picket Line Coyote David M. Green. I added the plaintive voice of a Chinese folk
singer crooning a "sitting song." Then came sitar from one of my favorite
artists, Anoushka Shankar. I met her in 2000 when she and her famous father gave
a concert at the Strand Theater. Chick Corea's part came from his solo
improvisations. The bass loops emanated from the new Apple recording program
called GarageBand. The composition was assembled in GarageBand.
|

"Bulgarians on the Black Sea"
1:43 1.96MB
mp3
"Bulgarians on the Black Sea" Twenty-one song-singing women from Bulgaria
producing the inimitable Balkan female choir sound: this is from "Stoeneh"
on the album Cosmic Voices of Bulgaria. Mixed in GarageBand with drum loops
designed to promote dancing. At 1:37 it fits choreographers' needs. Inspired
by Dorothinia's production of Goddess Dance at Harmony Healing Center.
Produced partly because I'd like more people to be able to sample Bulgaria's
voices. |
|

"Graphoon"
1:53 1.72MB
mp3
Imagine Charlie Chaplin trying to impress a pretty girl. Nearby is a large,
bearded fellow with no sense of humor. The ogre thinks, he, too, has a
chance to impress the sweet thing. The gents indulge in spirited upmanship,
insults and pushing. Punches are thrown and parried; kicks are aimed.
Chaplin ducks, the hirsute fool pursues. The girl, meanwhile, seems
oblivious to their struggle. "Graphoon" was mixed with GarageBand on a G4
Mac using GB loops and sounds grabbed from iTunes. |

"Augusta"
2:50 2.60MB
mp3
"Augusta" is yin and yang. Composed on an Apple G4 with an Oxygen 8 midi
keyboard and Garageband software, it reflectsthe eddies in my transactional transmission. |
Past article by Robert Trudeau which were featured on our Critical Thinking
page: Getting Out of Town 11/04
SSO Dances with Cho
09/04 The Times: Hellzapoppin 08/04
If Only the War Mongers Would Sit Down and Absorb the
Message Of "Camelot." 07/04
Suspended Rubberized
Micro Tubes: A Visit to the Museum of Fine Arts Houston
07/04
Embarrassed About Our Role In Iraq? 06/04
Swaying in the
Wind: “Skyscraper” 05/04
The Town with No Critic: Interview with former Times editor Ronnie Ramos
04/04 mp3
RW Norton
Art Foundation: New wing, new exhibit, new
web site 04/04 Prieto a Hopper
Shreveport
Symphony Orchestra 04/04
Bistineau Gallery 04/04
Interview with artist Melissa Bonin
by Robert Trudeau mp3
All Roads Lead to Lafayette This Month 04/04 |
|
|
Artist’s Statement / Robert
Trudeau
Like a buccaneer on a swift sloop
eyeing a lumbering merchant ketch, I can’t stop larcenously eyeing my
neighborhood’s low-hanging apples. Golden musical chests and silvery panoramas
appear to me every time the spy glass stops.
Thus my incessant inking
sheets of paper and banging on the box. I look, I translate, I recapture ambient
treasure. To me these images and tunes are heavy coin of the realm.
People pausing, the Pope pontificating, impoverished popinjays
pirouetting, I must have them all.
Media:
pen and ink,
psychedelic folk music, prose chronicles, videography.
The Quirks of Creation: drawings by Robert Trudeau
I sketch to survive
the lurches of my neuroses and to examine my place in the transitory parade of
humanity.
Sketches from my pen are usually satirical. I enjoy tweaking
conventional senses of gender, race and status. It's often hard to tell whether
one of my chuchos is male or female - delicate, rounded face with a hint
of a mustache and beard, for instance. Or whether they are negroid or caucasian
- I am haunted by the physical beauty of Louisiana's Creole people. Or whether
they are from the Renaissance era or simply dolled up in a costume. Whether
they're bourgeois or Bowery may not be clear.
Dislocation of these
elements - gender, class, race - leads us to look at each other as needy,
fallible and equal beings.
"Crosshatching rules" is my battle cry. My
challenge is to engage the viewer while offering the least glamorous medium: pen
and plain paper. I want to offer telling detail in the smallest elements of a
drawing: the stitching in my sketches represents a mode of dialogue with the
viewer. Fabric textures, collars, jewelry, hats: these are parts of the
character's story. Much of my thought lies in the eyes of a portrait; they
project my take on the subject's emotional life and message. I compulsively
examine the quirks of creation: beard pattern, the shapes of lips and the set of
a mouth.
My characters embody, I hope, features and emotions that are
both grotesque and appealing.
RT January 17, 2005 |
|